The Shining (film) - Wikipedia. The Shining is a 1. Stanley Kubrick. The film is based on Stephen King's 1. The Shining. Unlike Kubrick's previous works, which developed audiences gradually through word- of- mouth, The Shining was released as a mass- market film, initially opening in two U. S. American director Martin Scorsese ranked it one of the 1.
Once hired, Jack plans to use the hotel's solitude to write. The hotel, built on the site of a Native American burial ground, becomes snowed- in during the winter; it is closed from October to May. Manager Stuart Ullman warns Jack that a previous caretaker, Charles Grady, developed cabin fever and killed his family and himself. In Boulder, Jack's son, Danny Torrance, has a terrifying premonition about the hotel, viewing a cascade of blood emerging from an elevator door, and then falls into a trance. Jack's wife, Wendy, tells a doctor that Danny has an imaginary friend named Tony, and that Jack has given up drinking because he dislocated Danny's shoulder following a binge. The family arrives at the hotel on closing day and is given a tour. The chef, Dick Hallorann, surprises Danny by telepathically offering him ice cream.
Dick explains to Danny that he and his grandmother shared this telepathic ability, which he calls . Danny asks if there is anything to be afraid of in the hotel, particularly room 2. Hallorann tells Danny that the hotel has a .
The Shining is a 1980 psychological horror film produced and directed by Stanley Kubrick, co-written with novelist Diane Johnson, and starring Jack Nicholson, Shelley. EXERCISE BIKE by Carlton Mellick III (2017 Eraserhead Press / 126 pp / trade paperback) Okay, let me give you a little bit of background first before we get started here. Get all of Hollywood.com's best Movies lists, news, and more. Get up to the minute entertainment news, celebrity interviews, celeb videos, photos, movies, TV, music news and pop culture on ABCNews.com. Hammer House of Horror - The TV Series - A Fan Site dedicated to Hammer Films anthology of 13 individual horror stories made for TV. Latest Creepy Concept Pics for “American Horror Story” Season 7 Have “Hellraiser” Vibe “American Horror Story” S7 Title & Release Date TBA Next Week.
He also tells Danny to stay away from room 2. A month passes; while Jack's writing goes nowhere, Danny and Wendy explore the hotel's hedge maze, and Hallorann goes to Florida. Wendy learns that the phone lines are out due to the heavy snowfall, and Danny has frightening visions. Jack, increasingly frustrated, starts behaving strangely and becomes prone to violent outbursts. Danny's curiosity about room 2. Later, Wendy finds Jack screaming during a nightmare while asleep at his typewriter.
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Our film critics on blockbusters, independents and everything in between. But there is a deleted scene from "The Shining" (1980) that casts Wendy's reliability in a curious light. Near the end of the film, on a frigid night, Jack chases. Before the eerie green fog and.
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After she awakens him, Jack says he dreamed that he killed her and Danny. Danny arrives and is visibly traumatized with a bruise on his neck, causing Wendy to accuse Jack of abusing him. Jack wanders into the hotel's Gold Room and meets a ghostly bartender named Lloyd. Lloyd serves him bourbon whiskey while Jack complains about his marriage. Wendy later tells Jack that Danny told her a . Jack investigates room 2. Wendy that he saw nothing.
Wendy and Jack argue over whether Danny should be removed from the hotel and a furious Jack returns to the Gold Room, now filled with ghosts attending a ball. He meets the ghost of Grady who tells Jack that he must . Meanwhile, Hallorann grows concerned about what's going on at the hotel and flies back to Colorado. Danny starts calling out . She begs Jack to leave the hotel with Danny, but he threatens her before she knocks him unconscious with a baseball bat. She drags him into the kitchen and locks him in the pantry, but she and Danny are both trapped at the hotel: Jack has disabled the hotel's two- way radio and snowcat.
Later, Jack converses through the pantry door with Grady, who unlocks the door. Danny writes . When Wendy sees the word reversed in the bedroom mirror, the word is revealed to be .
Jack begins hacking through the quarters' main door with a firefighter's axe. Wendy sends Danny through the bathroom window, but it will not open sufficiently for her to pass. Jack breaks through the bathroom door, shouting . Hearing Hallorann arriving in a snowcat he borrowed, Jack leaves the room. He murders Hallorann with the axe in the lobby and pursues Danny into the hedge maze.
Wendy runs through the hotel looking for Danny, encountering ghosts and the cascade of blood Danny envisioned in Boulder. She also finds Hallorann's corpse in the lobby. Danny lays a false trail to mislead Jack, who is following his footprints, before hiding behind a drift. Danny escapes from the maze and reunites with Wendy; they escape in Hallorann's snowcat, while Jack freezes to death in the snow. In a photograph in the hotel hallway dated July 4, 1.
Jack Torrance smiles amid a crowd of party revelers. In the shorter European cut, all of the scenes involving Jackson and Burton are cut (although their names still appear in the credits). Dennen is on- screen in both versions of the film, albeit to a limited degree (and with no dialogue) in the shorter cut.
The actresses who played the ghosts of the murdered Grady daughters, Lisa and Louise Burns, are identical twins. In the film's dialogue, Mr. Ullman identifies them as . Despite its technical achievements, the film was not a box office success in the United States and was derided by critics for being too long and too slow. Kubrick, disappointed with Barry Lyndon's lack of success, realized he needed to make a film that would be commercially viable as well as artistically fulfilling. Stephen King was told that Kubrick had his staff bring him stacks of horror books as he planted himself in his office to read them all: . Finally one day the secretary noticed it had been a while since she had heard the thud of another writer's work biting the dust.
She walked in to check on her boss and found Kubrick deeply engrossed in reading The Shining. There's an evil side to it. One of the things that horror stories can do is to show us the archetypes of the unconscious; we can see the dark side without having to confront it directly. These cities were chosen since Kubrick was looking for a boy with an accent which fell in between Jack Nicholson's and Shelley Duvall's speech patterns. Some of the interior designs of the Overlook Hotel set were based on those of the Ahwahnee Hotel in Yosemite National Park.
To enable him to shoot the scenes in chronological order, he used several stages at EMI Elstree Studios in order to make all sets available during the complete duration of production. The set for the Overlook Hotel was at the time the largest ever built at Elstree, including a life- size re- creation of the exterior of the hotel. Saint Mary Lake and Wild Goose Island in Glacier National Park, Montana was the filming location for the aerial shots of the opening scenes, with the Volkswagen Beetle driving along Going- to- the- Sun Road. The Timberline Lodge on Mount Hood in Oregon was filmed for a few of the exterior shots of the fictional Overlook Hotel; notably absent in these shots is the hedge maze, something the Timberline Lodge does not have. Outtakes of the opening panorama shots were later used by Ridley Scott for the closing moments of the original cut of the film Blade Runner (1.
Principal photography took over a year to complete, due to Kubrick's highly methodical nature. Actress Shelley Duvall did not get along with Kubrick, frequently arguing with him on set about lines in the script, her acting techniques and numerous other things. Duvall eventually became so overwhelmed by the stress of her role that she became physically ill for months.
At one point, she was under so much stress that her hair began to fall out. The shooting script was being changed constantly, sometimes several times a day, adding more stress. Jack Nicholson eventually became so frustrated with the ever- changing script that he would throw away the copies that the production team would give to him to memorize, knowing that it was just going to change anyway. He learned most of his lines just minutes before filming them. Nicholson was living in London with his then- girlfriend Anjelica Huston and her younger sister, Allegra, who testified to his long shooting days. Kubrick knew from years of scrutinizing thousands of films that extras could often mime their business by nodding and using large gestures that look fake. He told them to act naturally to give the scene a chilling sense of time- tripping realism as Jack walks from the seventies into the roaring twenties.
For each language, a suitable idiom was used: German (Was du heute kannst besorgen, das verschiebe nicht auf morgen — . Kubrick had originally shot this scene with a fake door, but Nicholson, who had worked as a volunteer fire marshal, tore it down too quickly. Jack's line, . Kubrick, who had lived in England for some time, was unaware of the significance of the line, and nearly used a different take. He also added that it was his favorite scene in the film. It essentially combines the stabilized steady footage of a regular mount with the fluidity and flexibility of a handheld camera. The inventor of the Steadicam, Garrett Brown, was heavily involved with the production of The Shining. Brown has described his excitement taking his first tour of the sets which offered .
This tour convinced Brown to become personally involved with the production. Kubrick was not . Rather he would use the Steadicam . Brown used an 1. 8 mm Cooke lens that allowed the Steadicam to pass within an inch of walls and door frames. Ahwahnee's Great Lounge was recreated on the Elstree Studios set as the Colorado Lounge.
Kubrick personally aided in modifying the Steadicam's video transmission technology. Brown states his own abilities to operate the Steadicam were refined by working on Kubrick's film. For this film, Brown developed a two- handed technique, which enabled him to maintain the camera at one height while panning and tilting the camera. In addition to tracking shots from behind, the Steadicam enabled shooting in constricted rooms without flying out walls, or backing the camera into doors. Brown notes that: One of the most talked- about shots in the picture is the eerie tracking sequence which follows Danny as he pedals at high speed through corridor after corridor on his plastic Big Wheel tricycle. The soundtrack explodes with noise when the wheel is on wooden flooring and is abruptly silent as it crosses over carpet.
We needed to have the lens just a few inches from the floor and to travel rapidly just behind or ahead of the bike. This required the Steadicam to be on a special mount modeled on a wheelchair in which the operator sat while pulling a platform with the sound man.
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